What is Derek Jarman's full name?

Michael Derek Elworthy Jarman

Derek Jarman nickname(s):

Derek Jarman, Michael Derek Elworthy Jarman

Derek Jarman date of birth:

January 31, 1942

How old was Derek Jarman when died?

52

Where was Derek Jarman born?

Royal Victoria Nursing Home, Northwood, London

When did Derek Jarman die?

February 19, 1994

Where did Derek Jarman die?

London, England, UK

Why did Derek Jarman die?

Aids

Derek Jarman body shape:

Slim

Is Derek Jarman gay or straight?

Gay

What religion is Derek Jarman?

Atheist

What is Derek Jarman nationality?

British

Where did Derek Jarman go to university?

Canford School in Dorset, England.

What is Derek Jarman's occupation?

Director

Derek Jarman claim to fame:

Sebastiane (1976), Jubilee (1977), Caravaggio (1986), The Last of England (1988), War Requiem (1989), Edward II (1991), Wittgenstein (1993), Blue (1993)

Who is Derek Jarman's father?

Lancelot Elworthy

Who is Derek Jarman's mother?

Elizabeth Evelyn (née Puttock)

Short Biography

Michael Derek Elworthy Jarman (31 January 1942 – 19 February 1994) was an English film director, stage designer, diarist, artist, gardener and author.Derek JarmanActive - 1971 - 1994 | Born - Jan 31, 1942 in Northwood, England | Died - Feb 19, 1994 in London, England, UK | Genres - Avant-garde / Experimental, DramaBiography An accomplished painter, Derek Jarman entered films in the early '70s, designing sets for Ken Russell's The Devils (1971) and Savage Messiah (1972). After making numerous experimental shorts, mostly in Super-8, he began helming features in 1979 with Sebastiane, a controversial gay-themed account of Saint Sebastian, in which all the dialogue was spoken in Latin. Over the next 20 years Jarman frequently interwove historical evocation and unexpected anachronisms, particularly in his biopics Caravaggio (1986) and Wittgenstein (1993). His landmark non-narrative features of the '80s, The Angelic Conversation (1985) and The Last of England (1987), offer a painter's sense of texture, with Jarman transferring Super-8 footage onto video for his editing, and then transferring the video onto 35-mm film. Radical gay politics, a constant theme in his films, emerged most forcefully in the '90s with The Garden (1990), which re-enacts incidents from the life of Christ with two gay lovers in place of Jesus; Edward II (1992), his fiery adaptation of Christopher Marlowe's 16th-century tragedy; and his last film Blue (1993), in which the sole visual element is an unchanging field of blue, while the soundtrack describes Jarman's thoughts and emotions in the face of his imminent death from AIDS.