Death day 6 celebrities
Page 24 of 120Death day 6
Gregor Piatigorsky (Russian: Григо́рий Па́влович Пятиго́рский, Grigoriy Pavlovich Pyatigorskiy; April 17 [O.S. April 4] 1903 – August 6, 1976) was a Russian-born American cellist.
Hanns Dieter Hüsch (6 May 1925, in Moers – 6 December 2005, in Windeck-Werfen) was a German author, cabaret artist, actor, songwriter and radio commentator.
National Professor Dr Muhammed Ibrahim, a great and successful physician, a gifted teacher, a talented organiser and a great reformer was born on 31st December ,1911 and died on 6th September, 1989. His death anniversary is observed as (Diabetic) Ser
Rowland Brown (November 6, 1900 – May 6, 1963), born Chauncey Rowland Brown in Canton, Ohio, was an American screenwriter and film director, whose career as a director ended in the early 1930s after he started many more films than he finished. He w
Margret Antonie Boveri (14 August 1900 – 6 July 1975) was one of the best-known German journalists and writers of the post-World War II period.
Adu Celso-Santos (born Eduardo Celso Santos, August 7, 1945 – 6 February 2005) was the first Brazilian motorcycle road racer to compete in Grand Prix motorcycle racing.
Marilyn Nash (October 26, 1926 – October 6, 2011) was an American actress and casting director. She was best known for starring in the 1947 Charlie Chaplin film, Monsieur Verdoux.
Suzanne Curchod (1737 – 6 May 1794) was a French-Swiss salonist and writer. She hosted one of the most celebrated salons of the Ancien Régime. She was the wife of Jacques Necker
John Wood, (5 July 1930 – 6 August 2011) was an English actor noted for his performances in Shakespeare and for his long association with Tom Stoppard.
Guy du Merle (1 January 1908 – 6 June 1993) was a French aeronautical engineer, test pilot and writer. He was the first director-general of the École nationale de l’aviation civile (French civil aviation university).
Carlo Cattaneo, (born June 15, 1801, Milan—died Feb. 6, 1869, near Lugano, Switz.), Italian publicist and intellectual whose writings significantly shaped the Risorgimento and whose journal, Il Politecnico (“The Polytechnic”), not only served